6 Best Fujifilm GFX100 II Accessories of 2026: Fit, Protect, Adapt

This is the only electronic EF-GFX adapter in this accessory set, pairing Canon EF/EF-S lenses with a GFX100 II while adding autofocus, EXIF data transfer, and a USB-C port for firmware updates. The manual PL-to-GFX adapter in the roundup serves cine glass without electronics, but this one is the bridge for photographers who want to keep EF lenses functional on the medium-format body.

The body is machined aluminum alloy with copper-plated contacts, so an adapted Canon lens feels firmly seated rather than wobbly. That rigidity becomes useful with heavier EF zooms. Image-stabilized EF lenses are supported, and firmware can be updated without sending the adapter back. Autofocus speed is lens-dependent rather than fixed by the adapter.

This adapter suits Canon EF/EF-S photographers migrating to GFX100 II who need autofocus and EXIF data instead of a pure manual ring. It is not for PL/cine lens users who need a manual adapter, and it does not promise native GFX autofocus speed. Autofocus and electronic contact behavior are lens-dependent; some EF lenses may produce intermittent connection warnings. That variable behavior is the tradeoff to accept when relying on adapted autofocus in a fast workflow.

The VILTROX PL-GFX adapter is a manual bridge for PL cine lenses on Fujifilm GFX bodies, built around a rotary lock buckle and a 1/4-inch tripod mount. The aluminum alloy and stainless steel body holds the lens rigidly, and the dust-proof rubber sealing ring keeps debris away from the GFX sensor. On compatible PL glass, the adapter preserves image sharpness without introducing electronic interference.

On a GFX100 II, this works as a lens-extension system: set aperture on the lens, pull focus manually, and treat the camera as a digital back. The lack of electronic contacts means no EXIF data and no body-driven aperture control, which is expected for a manual adapter rather than a hidden issue.

This is for cine/video operators and photographers who already own PL or vintage manual glass and want to use it on a GFX body without adding electronic layers. It is not for Canon EF shooters who expect autofocus, or for buyers who need EXIF and body-driven iris. On some PL lenses, mounting can be very tight before the rotary lock engages, and some versions keep the tripod collar fixed despite the removable-mount claim; check both against your specific lens before buying.

JJC's kit covers the GFX100 II's main LCD and top small screen with two tempered-glass protectors and four small-screen films at an entry-level price. That is more spare coverage than the top pick's kit, and the extra films allow a second attempt if the first install goes wrong. The cutouts match the GFX100 II's screen area without overhanging the edges.

This kit is specific to the GFX100 II body; it will not line up on the GFX100S or GFX100. Bubble-free installation is not guaranteed; air bubbles or edge lifting can occur, so the right buyer is a budget-focused owner who wants both screens covered and a spare film waiting. The priority is low cost and full coverage rather than an immaculate first application. Anyone who demands a one-time flawless install should consider the top pick's alignment aids.

Routine handling shows the 9H layer's usefulness: the protector resists scratches from normal use, the anti-fingerprint finish keeps the screen cleaner between wipes, and the small-screen films fit the upper display. The glass does not interfere with taps and swipes, so added protection does not change daily operation.

The JJC two-pack slides into the GFX100 II hot shoe with the same factory-fit feel as the cover that ships on the camera, and the ABS shell keeps the electrical contacts sealed from dust and incidental moisture. Fit is consistent across both units, so the second cover can sit in a bag or lens case until the first one is misplaced.

Two covers matter more than one if you shoot the GFX100 II without a grip and remove the shoe cover to mount a flash or trigger. The exposed contact slot collects dust quickly, and having a spare in the bag means a lost cover is not a trip-stopper. The plain black profile sits flush enough that it does not change how the camera handles in a bag.

This is the right purchase for a GFX100 II owner who wants a functional spare at a budget price and does not care about metal finishing. Buyers who want the look of an engraved aluminum cover should look at the machined-metal option in this set instead; the JJC cover is intentionally plain ABS. It also suits Fujifilm shooters who frequently misplace small accessories and want a cover kept permanently in the camera bag.

The SmallRig hot shoe cover adds a machined aluminum plate with an engraved Fujifilm motif and soft silicone pad to the GFX100 II's accessory shoe, giving the camera a more considered, premium look. The metal finish blends with the body and the build feels solid in hand. Fit can be loose on some bodies, so the cover may slide out or sit slightly off; that keeps it below the simpler ABS two-pack for anyone who wants a locked-in seat. The engraved FUJIFILM branding is also visible, so owners who prefer an unmarked accessory should weigh that before buying. For GFX100 II owners who want the top plate to look as finished as the rest of the camera, this is the stylish pick.