9 Best Sony ZV-E10 II Accessories of 2026: Built for This Body

The HawkLock cage is the piece that turns the ZV-E10 II into a complete accessory-mounting platform. It adds a precision-fitting frame, an integrated silicone grip, a HawkLock self-locking quick-release plate, and an HDMI cable clamp — all at 170g. The Arca-type bottom plate also drops onto tripods and gimbals without a separate baseplate.

The built-in grip gives a more natural hold than the bare body during handheld vlogging, and the quick-release plate makes the tripod-to-gimbal transition faster once the release motion is familiar. Cable management is covered by the included clamp, so an HDMI monitor feed stays seated during movement.

The frame is rigid with no play once seated, and the accessory points sit where a run-and-gun shooter actually needs them. SmallRig's build quality here stays consistent with the brand's other camera-specific cages.

This kit is for vloggers and hybrid shooters who plan to add a microphone, light, monitor, or HDMI rig; it is not for minimalists who never attach accessories. Side-mounted accessories can obstruct the SD card door, and the HawkLock mount has a short learning curve, so plan accessory placement and practice the release before a full shoot.

40.5mm Japanese optical glass with 12-layer multi-coating brings a budget filter to the ZV-E10 II's 16-50mm kit lens without turning the image soft. Light transmission is rated at 99.5%, so exposure stays essentially unchanged. The 12-layer coating is aimed at keeping reflections and flare in check during normal outdoor use. At 0.12in, the slim profile keeps the compact camera footprint intact.

This filter is for ZV-E10 II owners shooting in dusty, sandy, or wet conditions who want a protective layer that takes the abuse instead of the kit lens coating. It works as a permanent front-element guard, so you can leave it mounted for everyday carry and forget about the filter until it needs cleaning or replacement. The 40.5mm thread is a direct match for the 16-50mm kit lens.

The glass element is sacrificial and can crack if the lens takes a hard, direct impact. That is the expected tradeoff for putting a budget filter in front of the kit lens; it absorbs damage that would otherwise reach the glass.

The fan-plus-TEC design actively pulls heat away from the camera body during long 4K recordings, which is exactly what the ZV-E10 II needs in warm rooms. It uses a thermoelectric plate in addition to the fan, so heat is moved away from the body rather than just blown across it. Instead of expanding the camera's mounting options, it targets the thermal limit directly.

The 114g unit installs and removes in seconds, and the fit on the ZV-E10 II is secure enough for handheld and tripod work. It is built for the ZV-E10 II and also fits other Sony mirrorless bodies, so it can move between cameras if you shoot with more than one. The fan spins up to 7000 RPM, and the TEC plate transfers heat at the contact point, which is what lets the camera keep rolling through long clips.

For long-form videographers, live streamers, and interview recording sessions, this is the most direct fix for the ZV-E10 II's recording-time limit in warm rooms. It requires an external USB-C source, and the fan is audible in quiet environments — a minor tradeoff in a studio, a real constraint in a silent bedroom podcast. Casual still shooters or anyone expecting a cable-free battery-powered cooler should skip it, but for heavy video workflows the added recording time is the point.

The ULBTER kit covers the ZV-E10 II's flip-out LCD with three sheets of 9H tempered glass at a budget price, making it the screen-first answer to this roundup's lens-protection options. Clarity is rated 99.99% HD, and the glass is thin enough that touch-to-focus taps and menu swipes remain immediate. Installation is a single wet-clean, dry-clean, and press operation; the included kit keeps dust off the adhesive layer.

This is the accessory for a new ZV-E10 II owner who wants the display covered before the camera goes into a bag or onto a tabletop. The three-pack means a botched alignment doesn't burn the whole purchase. The catch is surface prep: adhesion depends on a completely clean screen, and a missed fingerprint or dust speck can stop the glass from seating flat. It also only fits the ZV-E10 II, ZV-E1, and A7 IV — not the original ZV-E10.

Once seated, the protector stays clear during playback and doesn't alter colors when you review footage. On a vlogging framing screen, that matters more than raw hardness numbers. The glass also adds a layer of protection against the LCD rubbing against bag zippers or a cramped desk setup, and with two spare sheets in the box, a replacement is seconds away.

Unlike the standalone wireless remote in this roundup, the Hanpusen builds the trigger into the support: a one-handed grip, a tabletop base, and wireless start/stop for the ZV-E10 II in one unit that fits in a day bag. The remote pairs through Sony's Bluetooth menu, reports connection state on an OLED screen, and reaches about 10 meters, so you can trigger recording from behind the camera or with the camera sitting on a ledge.

Solo travel vloggers and self-taping creators are the right audience. Handheld framing is comfortable, and the remote saves you from reaching over the lens to hit record. On flat surfaces such as café tables and park benches, the mini tripod holds a ZV-E10 II with a lightweight zoom. This is where the light-duty nature shows: stability is best in the primary horizontal position, and the tilt lock can be inconsistent when you switch between landscape and vertical framing. Full-size studio support is a different class of product.

For a travel-first shooter, the tradeoff is acceptable. The 360-degree pan and 135-degree flip give enough head movement for low-angle shots, and the whole package packs easier than a separate cage and remote. Pairing depends on Sony's Bluetooth menu, so first-time setup can take a few tries; after that, the grip becomes the default way to trigger the ZV-E10 II.

For ZV-E10 II owners who already understand Sony's Bluetooth Remote Ctrl menu, this remote covers shutter release, video start/stop, and zoom/focus from up to 10m away without crowding a small tripod rig. The OLED status display and USB-C charging make it a practical alternative to Sony's own remote. Pairing is the catch: if the camera's Bluetooth Remote Ctrl option isn't enabled, initial setup can stall until the menu path is found. That setup friction, plus the absence of wired intervalometer or advanced time-lapse controls, keeps it a focused tool for solo creators and macro shooters rather than a full camera-control hub.

The JJC wind muff mounts onto the top shoe of the ZV-E10 II, ZV-E10, ZV-1, or ZV-E1 and adds a second cold shoe on top, so a small light or mic still has a mounting point while the muff is installed. Fit feels snug, the PVC-textured base has more substance than the price suggests, and the bundled hot shoe cover is a useful spare.

This is a specialist audio accessory for outdoor vloggers who rely on the built-in microphone. Its wind-cutting effect is passive and depends on the camera's recording settings plus outdoor conditions.

Inside the Supmay case, adjustable Velcro dividers and a mesh zip pocket keep a ZV-E10 II body, the kit lens, spare batteries, and a small tripod organized without letting them knock together. The EVA shell, reinforced handle, and detachable shoulder strap make it a cost-effective travel case for a compact Sony kit, and the padded interior adds protection in transit. It sits lower in this roundup because a full-size tripod, gimbal, multiple lenses, or a large audio kit will not fit inside.